The question, "Why does Coco Chanel smell terrible?" is a bold one, especially considering the iconic status of Chanel No. 5 and the widespread popularity of its flankers like Coco Mademoiselle. However, the statement isn't entirely without merit. While many adore the fragrance, a significant portion find it off-putting, and understanding this division requires a nuanced exploration of its olfactory profile and the subjective nature of scent perception. This article will delve into the reasons behind the polarized opinions surrounding Coco Mademoiselle, addressing its composition, comparing it to other fragrances, exploring user reviews, and discussing its value proposition.
The assertion that Coco Chanel (presumably referring to Coco Mademoiselle, as Coco Chanel is the name of the original perfume and not usually the target of such criticism) smells "terrible" is subjective. What one person finds repulsive, another may consider captivating. However, the statement highlights a key aspect of Coco Mademoiselle's composition: its complexity and unconventional approach to traditional perfumery.
Chanel Coco Mademoiselle Smells Like: To understand the potential source of the negative reactions, let's examine what Coco Mademoiselle actually smells like. It's a complex fragrance, often described as a chypre-floral. The initial burst is typically bright and citrusy, thanks to notes of orange, mandarin orange, and bergamot. This initial freshness, however, is fleeting. The heart of the fragrance is dominated by a strong rose and jasmine accord, providing a floral sweetness that can be overwhelming to some. However, it's the base notes that often become the point of contention. The patchouli, vetiver, and vanilla create a warm, woody, and slightly musky foundation. This base is where the "wetter, fruitier approach" mentioned in the provided text comes into play, adding a unique twist that sets it apart from other floral chypre fragrances. This "wetter" aspect can be interpreted as a slightly damp or humid quality, which some find unpleasant, while others appreciate its unique character. The metallic note mentioned is subtle but contributes to the overall unconventional feel. This metallic undertone, often linked to the interplay of the patchouli and other base notes, can be particularly polarizing, contributing to the perception of the fragrance as "terrible" for some.
The comparison to Opium and its sister scents is relevant. While Coco Mademoiselle shares some similarities—a citrus opening and a carnation-like floral heart—its overall character is distinct. Opium and its variations often lean towards a spicier, more overtly oriental profile, whereas Coco Mademoiselle, despite its warm base, maintains a fresher, more youthful feel. This difference in overall tone may account for some of the varied reactions. The "wetter, fruitier" approach differentiates Coco Mademoiselle, making it less traditionally "warm" or "spicy" than its predecessors, a factor that contributes to its unique, and potentially divisive, character.
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